100 I Feel Bad About My Neck
by Nora Ephron (2006)
Perhaps better known for her screenwriting (Silkwood, When Harry Met Sally, Heartburn), Ephron’s brand of smart theatrical humour is on best display in her essays. Confiding and self-deprecating, she has a way of always managing to sound like your best friend – even when writing about her apartment on New York’s Upper West Side. This wildly enjoyable collection includes her droll observations about ageing, vanity – and a scorching appraisal of Bill Clinton.
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99 Broken Glass
by Alain Mabanckou (2005), translated by Helen Stevenson (2009)
The Congolese writer says he was “trying to break the French language” with Broken Glass – a black comedy told by a disgraced teacher without much in the way of full stops or paragraph breaks. As Mabanckou’s unreliable narrator munches his “bicycle chicken” and drinks his red wine, it becomes clear he has the history of Congo-Brazzaville and the whole of French literature in his sights.
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